视频简介
民初功夫片,俞天龙(王羽)是某镇武馆的大弟子,因主持正义教训恶少而与当地恶势力结怨,武馆遭到恶势力请来的一众东洋高手的洗劫,俞天龙幸免于难,但是断了一臂成为残废,他苦练独臂拳法,将各东洋高手一一击毙。 王羽在邵氏因《独臂刀》成名,脱离邵氏后继续利用“独臂”的剩余价值,将“刀”改为“拳”,又继续拍摄了三四部和“独臂”有关的电影,《独臂拳王》就是他脱离邵氏后以“独臂”为题材拍摄的一部民初功夫片。影片是王羽在台湾为嘉禾拍摄的,用的演员都是台湾人,其中有曾获得金马最佳男配角的马骥,以及台湾硬派演员田野、薛汉等人,还有本名周新贵的台湾武打明星龙飞以及台湾著名武行山茅、苏真平和谢兴等人,这些人后来又多次与王羽合作。作为一名武打演员,王羽的身手不错,做为导演,王羽在处理武打场面的拍摄也有一定技巧,毕竟他也算是张彻的得意弟子,他比较注意武打场面的气氛渲染和动作设计的...。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。
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